I'm Violeta Ayala
Film Futurist, Technologist and Artist
2013 - 2022
My writing is personal and political, experiential and analytical
Awichas, Ephemera, July, 26, 2022
Photo Facts, Ephemera, July, 20, 2022
Yabun 2022, Substack, Feb 2022
Plan of Action: BIPOC Documentary Professionals Respond to the Pandemic and Protest Movement,
by Violeta Ayala, Claire Cao and Miasarah Lai, Filmmakers Magazine, July 2020
Recognition is for white Australia, The Huffington Post, Feb 2017
Advance Australia White, The Huffington Post, Feb 2017
#WhyIMarch, The Huffington Post, Jan 2017
Prisoner #B57661, The Huffington Post, Dec 2016
The Water War, The Huffington Post, Nov 2016
Liberté, égalité, fraternité?, The Huffington Post, Sep 2016,
The Wicked Granny, The Huffington Post, June 2016
Water Canons Used On Disabled Protestors in Bolivia, The Huffington Post, May 2016
My Right to Live with Dignity, The Huffington Post, May 2016
Fair Trade Cocaine, The Huffington Post, Feb 2016
White People on Patrol, The Huffington Post, Jan 2016
The Firsthand Racism I Experienced in Australia, The Huffington Post, Aug 2015
Is Bolivia the New Afghanistan, or Is O'Grady From The WSJ Delusional?, The Huffington Post, Nov 2013
The Whistleblowers and Latin America, The Huffington Post, August 2013
What If Snowden Was on Board the Bolivian President's Jet?, The Huffington Post, July 2013
Cocaine: Just a Commodity?, The Huffington Post, June 2013
First Person: The 'Stolen' Filmmakers Explain How a Doc About Refugees Became a Controversial Film About Reported Slavery, by Violeta Ayala and Dan Fallshaw, Indiewire, Feb 2013
Police start Woodside probe over bribery claim, by Violeta Ayala and Kate Askew, The Age, Oct 2006
Slick operator, by Violeta Ayala and Kate Askew, Sydney Morning Herald, June 2006